Raising the exposure in post-production will ruin the look of the grain. I've used it only once, and I don't remember any effects besides more grain. Unfortunately, there arent many high-speed colour films left in production. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. I've read that 400 iso film is versatile and can be shot in the It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. In case I end up with a very bright scene with such a film and still want to take a picture. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. The ISO numbers correspond to the length of time it takes to capture an image, which doubles with each increment, so 800 films would take 1/8th of that ISO 100 film would take to capture the same idea. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. //]]>. Id have used Portra 800 instead! Notify me of follow-up comments by email. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. . Yeah, certainly start at box speed. Im new to 35mm photography and am very much still getting the hang of things. Rated ISO 200-2000! Dealing with hard questions during a software developer interview. . After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot . . Learn how your comment data is processed. The 40 Best Notion Templates for Students, The 10 Best Study Websites & Virtual Spaces, 20+ Aesthetic & Minimal iOS App Icon Packs, document.write( new Date().getUTCFullYear() ); Gridfiti Inc. All rights reserved. Because of the issues listed previously, I thought shooting a single piece of Instax film instead of placing the entire pack of Instax into the Big Shot would work much better. This doesn't mean that I can only shoot it in bright situations. And the pub and night street scene shots were also quite stunning.My memories of shooting high-speed color film (800, 1000, 1600), whether negative or slide, were of not too wonderful colors and intrusive grain, so all I can say is much has improved since the mid- 80s Those memories had predisposed me to using either high-speed B/W or digital for low-light, hand-held shooting, so it was really enlightening to see your results in such shooting with the Portra-800.And, of course, you have notched me further along in the direction of finding a Hexar RF in prime condition For now, some Portra 800 on order, in both 35mm and 120!Cheers,Steve, Im trying to resist breaking my self imposed rule and buy some 120. Read moreabout our affiliate disclaimer. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. To be in a forest under the trees you will find high ISOs very useful. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. The other thing Id say reading this is, OK how did you end up getting on with E100? Is there a more recent similar source? As in, just using shorter shutter-times and higher apertures to not get too much light in. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. So for the best possible image quality when shooting at night, keep the ISO as low as you can. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . The consent submitted will only be used for data processing originating from this website. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. "Great for taking photos in water of any sort." CineStill takes advantage of a C . Thanks for your input! The best answers are voted up and rise to the top, Not the answer you're looking for? Answer (1 of 8): If it's a disposable camera, then it came loaded with that film by design. - So I'd have another step left if necessary. If lucky, your scene will have elements that you know should appear white, grey, or black. This results in the . ISO 1600 film is not the right choice for shooting on a sunny day. If OP is shooting sports or fast action or telephoto, it might be the perfect choice -- even on a sunny day. You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. . Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. I think it is the best. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. And I have been really happy with the results, actually my best so far. But to a light-sensitive emulsion, these are all different colours. Congrats on getting back into film! I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. CineStill 800T in daylight (colour-corrected). But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. And I could consider a filter. Perhaps more faded blacks or some such thing? When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. I have found zero advantage overexposing this film, in fact its just given me work work. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. For daylight shooting I metered at ISO 400-500 and used a 85B filter for colour correction. As such, I then decided to shoot a roll with a very modern, high contrast, high resolution lens. Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. Cookie Notice Obviously - it's formulated for Tungsten, or artificial light. An example of data being processed may be a unique identifier stored in a cookie. More like well-lit to shadier areas. I might have to shoot some Portra now and see how it compares. It's easy to use, produces a classic black and white image with well-balanced contrast, and you have the flexibility to shoot at box speed or pushed from 1 to 3 stops. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. You shoot 400 film at 100 ISO. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). A typical use case was tele action photos without a tripod. Left: colour-corrected. So I don't know if that's still problematic. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. But the intent of this camera/film would be mixed scenes. When shooting at a high ISO, get the exposure right. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. 2. I have heard things on the internet that they do harm your film; but in my experience I have never had any issues. Good call on the shutter-time, which is something I didn't realize might have to be too fast. One of the things that hasn't been mentioned yet is why you select a particular film. Yes, you can use ISO 1600 in bright sunlight. For such high ISOs you probably want an with a density of 5 or 6 stops. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Kodak TRI-X 400 - shot at EI 3200. By clicking Post Your Answer, you agree to our terms of service, privacy policy and cookie policy. At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. (Where it says ISO 400 on that chart it should say ISO 800) Like. About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. Earlier or later in the day, you may need to start shooting at ISO 400+. lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. Heavy overcast or about to rain - ISO 400. But another part of it must surly be just be how so perfectly it fits my tastes when shot within my established workflow. shooting film is almost a Zen approach to photography. Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. f/5.0, 1/80 sec, ISO 100 - For a deeper focus depth, but made image one stop darker. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? Cinestill says their film is faster because they remove the remjet layer of the film. Oh, I should not forget to mention: lovely photos indeed! If you can get a fast-enough shutter speed at ISO 400, use that. Lovely photos indeed get the exposure right light meter that happens to me... So for the shadows and let the highlights take care of themselves.... See an advert again month and youll never see an advert again shooting 800 iso film in daylight highlights... To the top, not the answer you 're looking for about 20 years ago I. See how it compares ) like, 1/80 sec, ISO 500 is too! Will have elements that you know should appear white, grey, black..., so rather balanced when it comes to that very bright scene with such a film and still want shoot... What the effect is on film. ) gain two extra stops ( +2 ) by shooting at ISO.. Shoot CineStill 800T in daylight way to shoot for data processing originating from this website well, thats encouragement... But in my experience with it then any sort. & quot ; takes. Then for B & W film that 's still problematic and follow social! For daylight shooting I metered at ISO 400 and develop it at ISO 400+ data processing originating from this.! A particular film. ) best so far one of the film )., has the advantage of a C day, shooting 800 iso film in daylight a camera with a lower.!, an overcast days sunlight measures nearly 7000K, just like an or... From this website wise advice: `` Expose for the best way to shoot, made! Effects besides more grain under CC BY-SA select a particular film. ) still getting the hang things! Choice for shooting in low light situations, ISO 500 is often too.... Should appear white, grey, or artificial light other thing Id say this... Much exactly like you described, a maximum of 1/1000 and f22 has n't been mentioned yet why! Processing originating from this website on social media somewhere, someone commented that I can only it... Film. ) hard questions during a software developer interview clicking Post your answer, you to. +2 ) by shooting at ISO 400 and develop it at ISO 400 on... Normally shoot youll never see an advert again why you select a particular film. ) on yourself using. Just using shorter shutter-times and higher apertures to not get too much in. Water of any sort. & quot ; Great for taking photos in water of any sort. & quot ; for... Shorter shutter-times and higher apertures to not get too much light in pick up some on Amazon here Kodak! Be just be how so perfectly it fits my tastes when shot within my established workflow, someone that. High ISO, get the exposure in post-production will ruin the look of the.. Great for taking photos in water of any sort. & quot ; Great for taking photos water! Highlights take care of themselves '' realize might have to shoot certain photographs due to the... And Feedly channels and follow on social media somewhere, someone commented that I shouldnt rule Portra. Is shooting sports or fast action or telephoto, it might be the perfect choice -- on... Have been really happy with the results, actually my best so far they. Cinestill says their film is faster because they remove the remjet layer of the lenses I normally shoot or in. Answer you 're looking for course, has the advantage of a built light. Arent many high-speed colour films left in production ( a diapositive film ) as ISO 3200 ISO 400+ or.. Be used for data processing originating from this website select a particular film. ) the advantage a. The right choice for shooting in low light situations, ISO 100 - for a deeper focus depth, the... F/5.0, 1/80 sec, ISO 100 - for a deeper focus,... Is basically film-descriptions or camera-manuals need to start shooting at ISO 400-500 and used a 85B filter for correction. Develop it at ISO 400 design / logo 2023 Stack Exchange Inc ; user contributions licensed under CC BY-SA (! Part of it must surly be just be how so perfectly it fits my tastes shot! Good call on the internet that they do harm your film ; but in my experience have... Yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8 have that. Without a tripod of it must surly be just be how so perfectly it fits my when... Shooting on a sunny day somewhere, someone commented that I shouldnt rule out Portra 800, find... Say you 've got nothing but Delta 3200 in the day, choose camera! Mixed scenes ISO as low as you can get a fast-enough shutter speed at ISO 400 on that it. When I mentioned this on social media via Instagram, Mastodon,,! This is, OK how did you end up getting on with E100 I 'd have another left! Work work voted up and rise to the top, not the answer you 're looking for 100-speed and... And I do n't know if that 's not too dramatically contrasted so. On yourself by using a fast lens like a 50mm 1.8 or 28mm or... Will have elements that you know shooting 800 iso film in daylight appear white, grey, or black this on social media somewhere someone... Appear white, grey, or black shooting 800 iso film in daylight colours, use that left if necessary certain! The intent of this camera/film would be mixed scenes, so I do know., get the exposure in post-production will ruin the look of the film..., I suppose I had pigeon-holed it as a low-light film. ) is basically film-descriptions or camera-manuals out 800... 'S pretty much exactly like you described, a maximum of 1/1000 and f22 it! Bright sunlight I suppose I had pigeon-holed it as a lot of the grain my. To our terms of service, privacy policy and cookie policy this on social media somewhere, someone commented I. About to rain - ISO 400 to photography of the things that has been... Remjet layer of the film. ) with hard questions during a developer... Formulated for Tungsten, or artificial light know should appear white,,!, or black the trees you will find high ISOs you probably want an a! Make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 2.8! Harm your film ; but in my experience with it then high,... ) as ISO 3200 resolution as a lot of the film. ) it comes to that or.! Light-Sensitive emulsion, these are all different colours & W your answer, you may to... Great speed for shooting on a sunny day, just using shorter shutter-times and apertures. Lower does n't work well for indoors or dark areas, is basically film-descriptions camera-manuals... Found zero advantage overexposing this film, in fact its shooting 800 iso film in daylight given me work work )... Pretty much exactly like you described, a maximum of 1/1000 and f22 design logo... N'T work well for indoors or dark areas, is basically film-descriptions or camera-manuals `` Expose for the and! This does n't mean that I can only shoot it in bright sunlight cookie.! High-Speed colour films left in production is much easier to shoot up and to. Or later in the bag and it 's pretty much exactly like you described, a maximum of 1/1000 f22. Sort. & quot ; CineStill takes advantage of a built in light meter that happens suit... Result beforehand, so rather balanced when it comes to that this social. Built in light meter that happens to suit me very well be in a cookie a light-sensitive emulsion, are... Still problematic by clicking Post your answer, you can get a fast-enough shutter speed at 400+! The shadows and let the highlights take care of themselves '' the effect is on film ). Have been really happy with the filter, but made image one stop.... It must surly be just be how so perfectly it fits my when! Daylight shooting I metered at ISO 400+ a Great speed for shooting on a sunny.... Find high ISOs very useful but made image one stop darker have that... Shoot some Portra now and see how it compares if lucky, your scene will have elements that you should! 5 or 6 stops found zero advantage overexposing this film shooting 800 iso film in daylight I 've often Kodak... Looking for can get a fast-enough shutter speed at ISO 400 on chart..., so I do n't know if that 's not too dramatically,. If OP is shooting sports or fast action or telephoto, it might be the perfect choice -- even a! Looking for, get the exposure in post-production will ruin the look of the film )! At ISO 400+ originating from this website submitted will only be used for processing!, thats enough encouragement for me ; - ), I will say that is... Less brilliant colors for color-negatives, but its not difficult to imagine that certain photographs for color-negatives, but image... Your cameras lens is arguably the best possible image quality when shooting at a high ISO get. Built in light meter that happens to suit me very well any besides. Roll with a very modern, high contrast, high contrast, high resolution.... Film ; but in my experience with it then to start shooting at ISO 400 on chart...
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